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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.5625em;mso-line-height-alt:1.5625em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;">Among the trees at Welcome Hill Studios</h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">It’s fall on the Hill, and the trees are putting on a show. For the past few weeks, leaves of bright red, orange, and yellow have transformed the backdrop of our lives. The relationship with trees and Welcome Hill began long before the space was converted into a retreat center.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Ann Stokes chose this hilltop setting for its forested wilderness and expansive views. A painter who loved to hike, she found peace and possibility in the woods. She preferred walking the path to her house, and the landscape that drew her here remains an essential part of the Welcome Hill experience today.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Three marked loop trails on the property connect each building, inviting guests to walk under a canopy of utter perfection. Hardwoods and pines, magnificent white oaks, and a hemlock forest lined with a soft floor of pine needles are only the beginning. Along the way are distinctive rock formations, a gravesite, a treehouse, and the sculpture garden, where art and landscape meet.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Ferns and hardwoods dot the landscape along stone walls that open up to pastureland. Six old sugar maples stand in a striking row overlooking the fields, their majestic forms keeping watch over the land. A bridge across a ravine, built in 2022, offers another perspective on the terrain.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">These woods tell a story. Much of the forest is second-growth woodland, characteristic of southern New Hampshire. The stone walls that thread through the property are remnants of history, when the woods were cleared for pasture, including land used in the region’s Merino sheep industry.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Some of the oldest trees now grow near these walls. Where the forest floor shifts from dry pine needles to mossy earth, granite outcroppings, lush green ferns, and colorful mushrooms appear along the way. Sugar maples, oaks, beech, birch, and American black cherry contribute their different shapes, textures, and seasonal colors.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">The forest has been shaped by weather, time, and the cycles of growth and decay. Fallen trees have become wild homes for burrowing mammals, insects, and new soil; they return nutrients to the Earth and make room for new life. Allowing the woods to remain as wild as possible reflects Ann’s wishes, and a belief that the forest has value beyond its usefulness to humans. It is a living community deserving of care and respect.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Perhaps the most moving expression of the connection between people and trees comes from a memory of Ann in her later years. When she could no longer walk the trails herself, longtime board member Lynne Borofsky would hike through the woods and then visit her. Stokes would ask, “Tell me what you saw, what you heard.” Borofsky would describe birdsong, wind whistling in the trees, water running, branches cracking, and creatures encountered along the way. They shared the essence of deep listening, smiles, and delight.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Through these conversations, the woods remained accessible to Ann. She could still travel their paths through another person’s words, imagination, and careful attention. The experience speaks to something fundamental about art, friendship, and relationship with nature. We do not always need to possess an experience to be moved by it. Sometimes, noticing and sharing are enough to bring us close.</p>
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              <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#313131;">Ann Stokes purchased the land in 1959</p></div>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.5625em;mso-line-height-alt:1.5625em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;">Resident Spotlight</h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">In many ways, Ann Stokes is Welcome Hill’s longest resident artist. Writing was part of her everyday life, a way of paying attention to the world around her. One of her poems was published in <em>Ms.</em> magazine, but most of what she wrote stayed close to home. It was about her land: its trees, its paths and how they changed with the seasons.  Later in life she began to paint, and her abstract paintings also drew on the land she loved.</p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;"><em>The Clearing</em><br><br>I work in my woods as I live my life – I like to come upon things. I am clearing space around one of the pines that meant something to me twenty years ago: the big one just past the two oaks. I am thinning with most of my outdoor tools – chainsaw and clippers. Two afternoons have been spent here. Today, the third, I used the chainsaw to fell the thicker young maples and take off the bottom limbs of another few pines nearby.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.618em;margin-top:0px;margin-bottom:1.25em;" class="">I sit down. As the sweat cools I look around at what has been finished and what still needs to be done. A large mass of white fur takes the corner of my eye as she dozes on the brown pine needles. There are the little wildflowers I have put stones around. A bramble has found good soil: it is big. A rock of quartz is uncovered. The one massive root (it looks like a partially buried branch) appears again. So many things I have forgotten since the underbrush took over.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.618em;margin-top:0px;margin-bottom:1.25em;" class="">A certain trail in the Adirondacks whooshes into my vision. I remember a dream of wild horses galloping. “Grand muscley names” glow in that part of the brain near my heart. I see the profile of the woman I love as she talks to my mother.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.618em;margin-top:0px;margin-bottom:1.25em;" class="">I go back home for lunch.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.618em;margin-top:0px;margin-bottom:0px;" class="">    – Ann Stokes 1981</p>
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